Reading Notes: Ramayana (Part A)

Wednesday, September 4, 2019

First off, I found the PDE version of the Ramayana a harder to follow than I thought it would be. That being said, before I move onto Parts B or C I might be swapping this online version for either the Kindle or bound book version of R. K. Narayan’s Ramayana with the hope that a less stylistically varied reading might improve my comprehension. In my very choppy summary, I will point out the most prominent parts of the story's elements that pertained to either the plot, characters, themes, or styles.

The myriad of characters creates something of a maze when trying to connect family lines and their histories. The plot is very much propelled by these relationships, with any given action seemingly associated to the nature of and context of these networks. The main story surrounds the immediate and extended family of King Dasharatha. After divine intervention, his barren wives bore him children—the most adored of which is Rama, an avatar of Vishnu. Rama then weds Sita, who he fell for, wooed, and won over in two tests of worthiness. Within the stories of their courtship and wedding are themes concerning gender, which I expect to be expanded on in Part B. His new wife is most loyal to her marital commitment and accompanies him after he was denied his position as Prince and exiled into the wilderness for fourteen years. Lakshmana, his (half?) brother also chooses tag alongside them and suffer banishment.  Maharaja Dasharatha is left broken-hearted. He felt that these events that deprived him of his most beloved son was karma for killing a blind family’s only child. This theme of consequences shows up a couple of times, in this main story most notably but also as part of a minor story told by Vashvamitra about a sage, Gatama, his wife Ahalya, and the God Indra. After being caught for crimes of passion, they were punished harshly for their infidelity. This theme of fate, whether chosen or inflicted, is one that I intend to be ongoing throughout the Epic. So far, the PDE Ramayana has two most distinct styles: prose and poetry. The more poetic form was more fun to read-- something to think about for the re-writing assignment.

Bibliography:
Author: Various
Title: Ramayana
Source: Public Domain Edition, Web


(Image Source: Pixabay Stock Photos)

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